24 January, 2007

My Father's Air Force
Yesterday, there was a good natured jab at the "Country Club" Air Force compared with the other services over at http://sondrak.com. Thought it right and proper to have y'all take a look at the Pacific Theatre in WWII and the island hopping bomber boys who served in that hell hole, never knowing whether or not they were going to return to the same landing strip from whence they took off.

Yes, I know, it was then known as the "Army Air Corps." Still inall, those boys busted their humps, sometimes flying 16/18 hours straight. Dad told me that the situations were sometimes so fluid that flying over any island, his squadron never knew if the intel was up to date...might be friendly, might not. They didn't always have fighter protection.

He was a good man. I miss him. In any case...enjoy!




Aaron Boggs Anthony, Captain, USAF, Ret.

Captain Aaron Boggs “Bob” Anthony, back row, second from left, passed away peacefully at his home in Green Valley, AZ on 21 September, 2005. He served with courage and dedication as a heavy bomber pilot in the U.S. Army Air Corp, 13th Air Force – 5th Heavy Bomber Group in the Pacific Theatre during WWII. Bob and his crew, members of the 31st Bomber Squadron, flew their Consolidated B-24 Liberator on 51 missions in and around the Philipine Islands.

After the war, Bob graduated with honors in Civil Engineering from Clemson University, South Carolina. He hired on with the Arizona Highway Department as head of a survey crew in south central Arizona, based in Bisbee, AZ. He then took on the job as physical plant engineer at Denver General Hospital. Bob closed out his professional career as Head of Engineering at St. Luke’s Hospital, Denver, CO.

He is remembered for his quiet and steadfast service within the Episcopal Church and the communities of Northwest Denver and Wheat Ridge.

Bob is survived by his wife, MaryAnne, of Green Valley, brother Fred (Theda), sister Sarah, son Stephen (Deborah) of Denver, CO, son John (Gail) of Center, CO, daughter Martha (James) Cannon of Evergreen, CO, three grandchildren and one great-grandchild.

A memorial service will be held on Saturday, October 8th, 2005 at 1:00 p.m. at St. Francis-in-the-Valley Episcopal Church, Green Valley, AZ. In lieu of flowers, contributions can be made to Odyssey Health Care, 1730 East River Road, Suite 107, Tucson, AZ, 85718 or Saint Andrew's Children's Clinic, 115 W Esperanza Blvd. Green Valley, AZ 85614.

~~~~~~~
Aaron Boggs Anthony

Born 23 May, 1917 - Died 21 September, 2005

(The following is adapted from the eulogy delivered on 8 October 2005, at St. Francis-in-the-Valley Episcopal Church, Green Valley AZ. Stephen M. Anthony, author and speaker.)

May the words of my mouth and the meditation of my heart be always acceptable in your sight, my Lord, my strength and my redeemer, Amen. In the name of God the Father, God the Son and God, the Holy Ghost, Amen…

“For I am persuaded that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature shall be able to separate us from the love of God which is in Christ Jesus our Lord.” (Romans 8: 38-39)

A gracious welcome to each and every one of you. Your presence here is a testament to Aaron Boggs Anthony, my father. The family has asked me to speak to you all, reflecting on his life, remembering his walk among us. Dad was a complex man, very private, a loving father, doting husband and steadfast friend. He was funny, with a gentle sense of humor and he was a man gifted with remarkable strength of character.

The world will remember Dad in a ten second sound bite, ten or fifteen lines in the obituary page. The world will remember him for a little time, and then the world will forget.

Our greater family however, holds a communal memory of Dad Anthony, a great bank filled with rich recollections, held close and cherished. We recall that grace, unique to a Confederate gentleman cut from the old cloth of Southern Culture…and his gentle, wonderfully quirky sense of humor. We can still hear that soft, southern Appalachian drawl when he laughed or spoke. And above all, we remember his sensibilities: the quiet strength and resolute convictions, the reasoning mind of an engineer. You see, beloved, Dad was our family “Rudder”, in the ancient sense of the word, providing direction for us; a sometimes group of flaky, emotion driven, right-brained artists. I know at times, that we were exasperating to his reasoning and logical sensibilities.

Then there are my own memories going back fifty-three years, some as fresh as an April morning in this soft Sonoran Desert. I could relate a long litany of these memories. But I shall not. However, these few are a small example of that half-century together.

There was the time when Dad and I shuttled my cousin Bill Simmon’s Porche Speedster convertible from Rifle to Denver. We were unable to make the heater work as we drove over the Continental Divide. It was bone chilling cold and I am certain that being unable to get the heater to work riled Dad’s engineering mind.

Oh, and then there was the time we were returning from Leadville over Loveland Pass in a blinding blizzard. Dad placed Mom in the back seat of the old red Ford station wagon with Martha and John. He stuck me in the front where I navigated by sticking my head out the passenger side window in order to see where the road led by seeking out the avalanche marker poles.

Then there were the wonderful summer days at Luring Pines gathering firewood, working on the cabins or making runs to the dump in Uncle Bob’s ancient, red truck. We kids would all pile in the back onto the flatbed and Dad or Uncle Bob or Uncle Mark would secure the stake sides and off we would go down Big Owl Road.

There are rich memories of doing remodel work on the old farmhouse on 35th Avenue; the laughter, the skills learned by continual practice and the sense of accomplishment working with Dad. Then there was the constant turning of the seasons in the remnants of the apple orchard next to that old farmhouse. The fragrant white springtime blossoms creating magic late May blizzards while we hoped and prayed that there would not be a late frost. (I know that Mom didn’t always join in those prayers as she was the one who would have to process the fruit.) Then we would rake the first culls that fell; small and hard and green. In late summer, our cousins and we kids picked the fallen apples, which were turned into spicy applesauce and rich, brown apple butter. Then there was autumn, raking the leaves, pruning, setting out the bird feeders in preparation for the long winter’s sleep.

However, there is a powerful, core memory that speaks directly to the kind of man Aaron Boggs Anthony was. It took place not too far from here in Bisbee, Arizona in 1953/1954. Dad worked for the Arizona Highway Department heading up a survey crew running lines, dragging chain and setting points for road construction in the rugged and mountainous high desert.

The first clear memory I have of Dad was a late, cold February morning in 1954, February 24th to be exact. I recall be awakened near sunrise. Dad gently picked me up. He smile was so huge that his whole face glowed. He held me high, then cradled me in his strong tanned arms. I remember him speaking these words: “Stevie boy, you have a brand new baby brother!” His soft southern drawl bubbled with unbounded joy.

Now beloved, Dad married my mom in June of 1953. When he chose to marry her, he made a conscious choice. He chose her to be his bride and, beloved, he chose me to be his son. He also chose to wed himself to this wacky family of artists, musicians and writers. Yet, for me, the most powerful choice was that he chose to take me as his son. And I knew for the first time in my young life that I had an real and true earthly father.

What prompted Dad Anthony to make those choices? I didn’t make the connection until, some fifty years later, we were sitting in the Arizona room having coffee. It was May, close to Dad’s birthday and I was asking Dad about his experiences during WWII in the Pacific Theatre. Dad was a captain and piloted a Consolidated B-24 Liberator. It came out in the conversation that he and his crew flew either forty-nine or fifty-one missions, well past the standard cutoff number of 25. He told the tale of one of his later missions, number thirty-nine or so, when he was driving the plane through heavy flak and a piece of shrapnel raged upward into the plane, bisecting the cockpit, right between he and his co-pilot. No hydraulic lines were cut, any electrical lines damaged, and most important, neither man was injured. Dad looked me in the eye and spoke. He told me that when he landed, he was a changed man. He knew for certain that God had spared him and everyday, from that day forward, was a gift from God.

My father made every attempt to live out that belief, and I know, in his own estimation, that he fell short more often than not.

I know too, that when we were youngsters, we thought that Dad’s love was not enough, nor was it what we needed. Yet I have come to realize that it was what we needed. For it was steadfast and solid love…a Father’s love. And the lessons he taught us in life’s classroom were subtle lessons taught by example. He quietly taught us the intangible basics of conservative, family based values. He taught us what it meant to provide humble service without thought of or desire for, recognition. He taught us the intrinsic value of hard work and a job well done. And he taught us of his love of God, largely unspoken, yet lived out daily in his actions.

In the end, although these earthly memories depart, there is a deeper truth that will never depart. For I am convinced that Dad knew, with a solid, uncompromised faith and assurance, that God loves him and that nothing could ever separate him from that love manifest in Christ Jesus, our Lord.

So, for a short span in eternal time, its time to say: “Goodbye, Dad.” I salute you and your life here on earth. May you continue to grow in the knowledge and love of God. Until we meet again, wait for us at the gate. We will all join you some Jubilee day.















21 January, 2007


Tales of the South Platte

Once upon a time, a warm sea rolled in response to moon's gravity, drinking in the runoff from winter rains where now, dry winds sing across the arid short grass prairie. We who have chosen to live on the Eastern foothills of the Central Rocky Mountains have dreams, sometimes, of those salty and shallow seas. That was millenium upon millenium ago, some would call it antedeluvian... reptilian.



I am convinced that echoes of those memories resound in the spirits and souls of those of us who watch the dreams and listen. Here are three poems that reflect the facets of this unique land.



~~~~~~~~


Broccoli, Brussel Sprouts and Big, Big Horses
My beloved laughed yesterday.
“Nice to know,” her voice rippled in the evening,
“Nice to know we share
A mutual love affair.”

Absent minded, automatic I replied:
“Honey, I love you too.”
There was silence, then a soft sigh.
“No sweetie, I’ve been thinking
As you work your kitchen magic.
We have this passion for strange vegetables.”

Her voice turned my conscious mind
Into the present, hearing a heart absorbed
In thoughts of our years together
And paths walked apart.

I knew I loved her when green eyes
Sparkled at my choice of
Brussel Sprouts to dance a
Bright spring’ringle ‘round roasted chicken.

Or dark green broccoli nestled against
A paschal lamb, crisp and fragrant wild,
Or pheasant and mushrooms, thick sage
And winter spinach, the last of the year.

Then twin thoughts, one December day
As we looked one into one another souls,
“The Stock Show’s comin’ to town!
Let’s go smell the leather, cow pies
And horse sweat working the turned earth.”

“Yeah, the big guys!” her voice ripened.
“Belgiums, Percherons, Clydesdales and Shires
Gentle giants, strong and wise.
Stephen, I want to see them!”

Another piece of life’s crossword puzzle
Slipped into place as her dark eyes flashed.
The pieces fit into a shared love and alliteration;
Broccoli, Brussel Sprouts and big, big horses.

~~~~~~~


Saturday Morning Heroes

Bright infant light bordered that fantastic land where

Kinetic youth tumbled, reckless and fear was not a word.

Mom's warm arms cradled me in fevered dreams,

Long fingered hands outstreched defied demon nights.

Rosebud lipstick smile, better than summer sunlight.

Kitchen love served unending banquets of laughter;

Buttergold toast, sliced bananas, cornflakes, milk and

TV time, magic flickering light wrote an endless script where

Saturday morning heroes always won in black and white.


A perfect shining sphere, just mom and I; the center of the world.

Where sometime satellites, in tangent, touched our land:

Saturn like, Grandpa's calloused hands held me close,

Ripe fragrance of pipe smoke and whiskey gruff voice.

Grandma Monie, lavender and lace gathered me in

Fierce, loyal loving hands one finger short of ten.

Slight imperfection in my world of Saturday morning men;

Sky King, the Lone Ranger and Tonto; then brave above all,

Ramrod straight, Canadian crisp uniform and noble dog:

Sargent Preston of the Yukon, again, he saved the day.


One slipstream Saturday night I felt the flow of change.

In Monie's arms I flew a noisy silver bird to a strange land.

A cold place I did not know, my golden sphere shattered;

Crumbled rusty dead in dusty red, Colorado sands.

Sickness burned inside my head and fear was born.

Brother Silence crept through the door, befriended me,

Took my hand, taught me the bitter lesson of mistrust.

In Monie's quiet studio, where paint and clay and wood

Spoke a language I did not know, I found a yearning new.

TV's heroes slipped away in flickering memory

While I and Brother Silence forged new life in crayons and clay

And the soft murmur of classical music on the radio.


- In memory of my grandmother, Lois Ripley Martin;"Monie"

- Her fierce and quiet love sustained me.




~~~~~~~~



South Platte Song
Far above the wind torn timberline
Winter's ice melts in your veins and sings
Tumbling down o'er granite courses and
Laughs a hurried way into South Park,
Where buffalo once nursed their young in verdant spring.
Great shaggy spirits grazed on sweet grass;
Grew strong, drank deep your cold crystal life
Till fences, dams and cattle drove their weight
Deep into the land where only ghosts remain.

Running dark canyons you rush again,
Eleven Mile, Cheeseman; past man's hand:
Scraggy View, Foxton and Pine.
Gravel brown and slow from Waterton on east;
Then north, to greet your wild Wyoming sister.
There whiskey mouthed French phantoms
Trapped spirit beaver along your muddy shore.

Fever brained in rich visioned greed,
Muscle taut miner's sweat wished fortunes,
Gold laden, out of your gravel skirts
Hidden in petticoat sands of ages lost.
Now quiet, memories murmur in flight
Tangled in your cottonwood tresses:
September doves twist and dive
Above Summer's ochre shadows.
Winter dark ducks call you home.
Ice crystal eyes greet December's geese,
Huddled in bosom warm water sloughs.

Long before man's machines and dams you sang
Pregnant songs in lush Spring floods.
What harmonies were hidden,
Layered deep under driftwood snags?
How many melodies have you hummed
In the dragonfly summer heat?
What symphonies flowed entwined
Midst green willow's sultry whispers?

Sandy brown river lady,
Gather thirsty life to your
Rich, full belly and roll on
The constant water song.
Do you sense my transient form;
This hobo's heart born to wander?

13 January, 2007

Double Rainbow over Deer Creek Valley Ranch

~~~~~~~
Cenntenial Ranch Cycle

Some days ago, Jack Hamilton and I exchanged e-mails about hunting "varmints"...song dogs or coyotes, and other ranch life on the eastern plains of Colorado.

I sent him a poem 'bout a friend's ranch up near Bailey, Colorado. It is a "Centennial" designation ranch in the State of Colorado. That means that is has been in the same family, with the same brand for over one hundred years. It will always remain so and can not be sold off for development without the family and State coming to an agreement.
Jack asked if I had any other poems. I figured that this was a good time to reactivate my blog and share 'em with y'all...not just Jack.
The Deer Creek Valley Ranch, as it is named, is of modest size for Colorado, being some 600 plus acres. Deer Creek runs right through the middle of the pie shaped parcel of land, almost bisecting it. The rancher runs a small herd of cattle, raises and cuts sweet pasture hay every summer. In 1998 he entered a steer that won Reserve Grand National Champion status the The National Western Stock show here in Denver. Its a sweet piece of property. I visit at least a couple of times a year, do some fishing, hunting or just hang out.
Over the years, I have written poems about the ranch that have been distilled into four seasonal verses. That being said...here they are;
"The Cenntenial Ranch Cycle."
~~~~~~~
Cobbweb Cottage New Year

There’s Scotch whiskey on the bar, a’waiting
New snow, not much, yet enough to caution
Denver and the foothills in a Winter’s glaze
On the two lane snake whispering our way to Deer Creek.

Iced beer in the keg on the summer porch.
Fresh hops and Adolph’s barley brew a’beckoning
While elk roast and country music warms
The frost on the waiting bedroom windows.

Then there’s a bright Jack pine and Aspen fire a’burnin.
High and howling cold, the meadow bright under
Orion’s New Year sky dances in a coal black heaven.
While Deer Creek sleeps under new crowned ice.

Electric torches, flashlight fingers swing a line
Pointing down the fresh plowed cut to the meadow.
Park under a new moon, and stars drawn so close.
An inkblack night, frosted kisses soft and welcome!

Welcome to the Cobbweb cottage, dear friends all.
Place your keys on the counter, take a fresh foam
Golden beer in hand and warm a cold backside.
Greet another long forgotten friend in the firelight.

Ah, tis a grand and granite night to celebrate
One more year passed while Deer Creek still runs,
And trout still rise and the heavy bodied elk
Remember this meadow deep in their hot blood hearts.

Fire in the hearth, fire in the whiskey and fire in human
Hearts thrumming deep and voices strong as we recall
The sight of rising to a green mountain morning
And those who have passed into God’s great hands.

Oh beloved, those gracious souls dance in the shadows.
Wraiths watch as we sit to deal another hand of Blackjack.
Their silent laughter intertwined with ours in a soft embrace
While Deer Creek softly murmurs in a deep winter slumber.

Late the new year eve, or is it a new year morning?
The last card is played, the last beer spent and the fire banked.
Deep in the dark winter bedrooms, souls and bodies snuggle deep.
While spirits nestle in the somber red embers, waiting the morrow.

The morning will bring coffee, eggs, potatoes, bacon and aching heads
And the late rising lovers, blushing to greet knowing smiles of friends
In the brilliant infant year here on the northslope cold against the stone,
Here in Cobbweb Cottage and the long held song and memory.

~~~~~~~

Spring Branding

Copper red heat, a branding iron sears hair, crisps flesh.
Amidst the smoky acrid air drifts the smell of fear.
Mothers bellow, wild eyes seek calves between gate and posts.
Calves bawl and scream while clanking, clattering gates beat in time.
Eating hot April dust, I wrangle a calf, arm around foreleg
Boot braced hard against quivering ham, I ask myself:
"Does man start here, where ends the calf?"
Sweat and bawl, curse and laugh.

Here's the drill:

Horn buttons?
- Clip, cut and cauterize.
Ear tag?
- Record sex, record tag number, inoculate and brand.
Male calf?
- Sharp knife castrates, swab provedine and release.

Drink deep the mountain air and icy water,
Wipe down the sweat and start again.
Stop, my sight falls on still bright blood
From young lungs, foamed oxygen.
Organ blood clotting in hot
Hard-packed barnyard dirt.
Blood from an animal not yet meat,
Life and long life again I think for the calf and me.
I wipe muddied sweat from my tired eyes
Focused on this calf's blood.
No plastic tray, sanitized, wrapped and clean.
Reality hammered home in bellow and bawls:
Blood flung from a
Sanguine pumping, fur covered,
Grass eating, air breathing
Methane belching, pucky shitting
Meat on the hoof, meat and leather.
Centuries long spiked, twisting muscle,
Bawling in the bright April air.
Meat for America, meat for the masses.
Clean and young, meat for world.

~~~~~~~

Summer on Deer Creek

Green-gold braids plaited on the steep meadow,
Cut hay drying in sun smiling deep.
Deer Creek runs cold and clear, giggling.
She rollicks out of the spruce dark granite cut
Into the light, into the fair and rolling meadow.
Long legged rocks in the iron rust riffles,
Tanned June warmth caress the snowmelt.
And deep brown oxbow curves, alder green gowns,
Her willow wisp camisole dance in the summer light.

Elk in the winter, heifers and calves in the spring,
Trout in high summer and steel, the gray skies of autumn,
Muted gold and copper memories long remembered.
Shaking her wet head as full bellied Summer
Pregnant with winter’s promise to suckle the dry
Thirsty children waiting on the plains below.

This beloved, this is the high summer flashing
Bright in the bottomless blue heaven, crowned overhead,
Always running, strewn in cottonblown
Clouds that flee and then remember the rain.
Brookies, Browns and Rainbows running against
The shadowed man, cane pole in hand,
Dancing in the iron cold water born in
Winter’s snow high to the desert west.

This is the sweet sweat of high mountain summer and
Deer Creek’s song, long years remembered and
Man’s hand gently guiding her dance down to the
Dry and hungry prairie, a soft desert ocean below.
Waves of alkaline sand and virgin white yucca
Crests in the highlands, waiting, longing for winter water.

Trout and Antelope, Bison and Elk…Oh they know.
Silent summer will return. Soft in the cold flint marrow,
Stark in time without man while Deer Creek still runs
And trout rise to the green drake mayfly’s dance,

Unchanged the rhythm of life remains.

~~~~~~~

Autumn Elk Hunt

Rolling out of a dark November slumber gray sunrise
Greet, gritty eyed, opening day of elk season and
New snow, untracked white, a bright omen.
Ritual camp coffee, toast and meat hot in my belly,
I slide on boots and cartridge belt and blaze orange cap.
Stepping out, long across time's threshold,
I walk next to white wraiths of wagons
Down the old logging tracks while ice crystals
Hang firehearts, dancing cold in the infant air.
Muscles and senses stretch strong and long,
Perceptions rise strong and ancient.
Bright eyes pry the shadows,
Phantom sounds tickle my radiant ear.
A wisp of air points direction this way.
Walk becomes stalk: quiet, deliberate and slow.
The booted foot halts.
Sound slips out of the infant sun.
Antlers clatter, deep grunts echo and
Hooves rake the frozen earth.
Vibration thrust the frigid air
Deep into my racing heart.
I slip behind the vanilla scented
Ponderosa giant, and time shatters.
I stand entranced, a Neolithic man,
Sense heavy, heart burning observant.
Twin elk cast talisman shadows,
Dance across ages of mountain tales
Unaware that I am suspended in Orion's belt.
The marvel, milleniums of hunters
Connect genetics, blood and animal
Within this rush to fulfill the awful end.
One touch turns mammal to meat
That I and mine might live another year.
(Yet not for me this day. I have a cow tag And all I see are bulls!)

05 September, 2005

My Favorite "Military" Round
"Reclining Venus, With Rifle" --Thanks to Kit


Kitara (drink me.) posted her latest from the shooting range on 3 September, 2005.

She and her "Darling John" were running what looks to be a glass stocked Remington .308 calibre bolt action through its paces.

Pardon me, I had only scanned the post...a closer read reveals that the long gun is a CZ550, stoked with hand loads : Speer 165 grain BTSP, new Remington brass, C.O.L. 2.8", Rem 9.5M primer, 46.0 Varget (#43 setting on the Redding BR-3 competition powder measure.)

Her discussion started me thinking about older, proven military rounds that continue to live in the hearts and hands of shooters across the world, including my all time favorite:

The 7mm Mauser (7X57)

"Contrary to what most cartidge books say, it (7mm Mauser) was not introduced in 1893. it was actually introduced in 1892 and used in a limited number of Model 1892 Mauser Rifles, a modification of the Belgian-Mauser pattern of 1889. In 1893, Mauser introduced an improved bolt action rifle in 7X57 calibre that was officially adopted by the Spanish military."
Cartridges of the World - 7th Edition, Revised and Expanded - Frank C. Barnes, DBI Books, 1993, pg.268

A couple of tangential paragraph are in order here:

Twenty years ago I took up shooting firearms as a serious part of my life. And that beloved, is another tale for another time. Suffice it to be said there was a lunch conversation at work one hot July day. It centered on hunting and fishing. Queries were made concerning the upcoming hunting seasons. I flatly stated that, although I had fished my whole life and enjoyed eating wild game, I had never hunted. I went on to say that I could probably hunt and kill birds, (a childhood dream of mine) but I was not sure about harvesting any big game. One co-worker, a big ol'farm boy with a heart of gold, threw down a gentle gauntlet. He brought out the daily paper and pointed to an advertisement that proffered a Winchester 1300, 12 gauge, with three chokes and a slug barrel for some ridiculous price...perhaps $169.00. He layed out the bait, stating: "Buy the gun, I'll provide you some ammo, clay pigeons and a place to practice."

I snapped at that bait like a voracious Great Northern Pike. A month passed and lots of bruised shoulders, broken clays and spent shells later, I went on my first dove hunt. The rest of the story is a twenty year love affair in the pursuit of wild game.

Back to the Mauser as it relates to above tangent. A couple of years passed. One soft summer evening, I began a discussion about big game hunting with a policeman bud of mine. He had grown up in Wheatland, Wyoming and had hunted his whole life. I asked him about a quality big game round that wasn't too strong in the recoil department. I am not a big man, 5' 10" and160 lbs. soaking wet. I was concerned about dealing with the kick of some large calibre hunting rounds. Shooting a few rounds through a friend's .300 Weatherby quickly taught me that lesson.

Now, beloved, you must understand one thing about"Q", as I will call my policeman friend. He is a wheeler-dealer, horse-trader from the get go."Q" raised his eyebrows, and a wicked Cheshire cat smile crept across his countenance as he said:

"Have I got a deal for you!"

He had recently provided a written appraisal and purchased most of an estate belonging to a older gentleman who could no longer hunt. In that estate was a large ring 98 Mauser, chambered for the 7X57 cartridge. It had been sporterized with a custom stock, but retained the original 20 inch stepped barrel. The gun needed some cosmetic work on wood and metal but the action was strong and tight, cycling like silk slithering across bare skin. The old gentlman had installed an aftermarket trigger (Timney, I believe) and had the receiver drilled to accept scope rings. The whole deal came with RCBS dies and a bunch of brass.

If my recall is correct, I paid about $250.00 for the lot. "Q" and I immediately took it it all apart, cleaned it and sent the action and barrel out to be refinished... bead blasted and blued. I did some work on the stock and added a new recoil pad. While waiting for the metalwork to be completed, "Q" and I spent more than one evening in his shop as he taught me the fundamentals of handloading.

The action and barrel returned and were wedded to the refinished stock. I did a bit more horsetrading with "Q" and finished off the little beauty with a 6X Redfield "Bear Cub" scope that had ultra fine crosshairs.

With my neophyte knowledge of handloading, I prepared 100 rounds of Winchester brass with CCI magnum primers. I stoked 50 rounds with 52 grains of IMR 4831 topped with Speer 130 grain Spitzers and the remaining 50 with 48 grains of the 4831 topped off with Speer 145 grain boattails. The little 7mm was boresighted and I was "range ready!"

Saturday a.m. --

I stuffed in the first round and touched the three pound trigger, the fouling shot. Five more rounds and the scope dialed to zero at 50 yards, I moved to the 100 yard bench. I settled in and touched off three rounds of the 130 gr. Spitzers. I stood up, shaking a bit from the adrenaline and looked through the spotting scope. There were three holes about three inches high in a pattern about four inches diameter. "OK!?!" I mused, "chalk it up to beginner's luck." Three more rounds touched off with basically the same result. I took a deep breath, adjusted the scope downward a few clicks and ran another group of three rounds. Once again I found about a four inch pattern, only this time about a half inch lower.

I adjusted the scope downward again, changed targets and tucked the stock against my shoulder, ready to see if I could tighten up the group. I took a couple of long breaths, stopped and touched off a round and for the first time I really felt the recoil. I had shot close to 20 rounds and my shoulder was beginning to whine at me. I pushed the pain aside and concentrated on breathing and sque-e-e-e-zing the trigger through two more shots. The spotting scope told the tale: four inches, more or less.

I stopped, had a smoke and another cup of "group tightener"...strong, black coffee. Back to the bench and three more shots. The group opened to 5 plus inches. I was beginning to flinch...pulling the shots off to the left hand facing side of the target.

However, oh beloved, I was hooked! I knew that I could learn to handle the sharp recoil. Three years of shotgunning had proven that theorem. Only time and practice would tell if I could get to the point of shooting tight, consitent groups from the bench.

And that, beloved, is another tale for another day.

26 June, 2005


Elegant Dust

In 1979, Thomas Hornsby Ferril was appointed Colorado's Poet Laureate. He died nine years later.
Ferril was born in 1896 and lived in Denver his whole life, writing down memories of the American West filtered through his quick mind and creative spirit. His work never hammers away on politics, it talks of being human and surviving in this harsh and lovely land.



Today, in the midst of wars and rumors of wars, its refreshing to share work untainted by rabble and fists pounding out strident cause. Not that I don't have strong political and spiritual beliefs, I do. And yes, I will reflect on the current affairs of this broken ol' world with passion and, I hope, clarity. However, as an introduction, it seems right and proper to begin with one of my favorite poems from one of my favorite writers.


Ferril's work is best when read aloud, shared with a beloved, and that beloved might just be yourself. Pour a drink, sit back and enjoy.....

Elegant Dust

You didn't know you came to make a city,
Nobldy knows when a city's going to happen.

You worked your whipsaw shacks up Cherry Creek,
Scurry of sliver mnnows twitching the sand-burs,
You couldn't tell the soda crust from quicksand,
One boot scuffin solikd alkali,
The other hovering a step-off plunge.

Vesper still as a rustle of thistle-birds
The antelope fell back,
Magpies interlacing cottonwoods,
Zig-zag echoings of black-is-white
And the night could hear
Ox-hide hinges flicking a candle gutter
Of argosies forsworn and rainless seed,
Nicks in the blade of the axe
The rotting sluices
Panning out prayers no higher than the blow-flies.

Whiskey dripped on quit-claims torn from Bibles
The white plum blossoms brought the bloody flux,
And there were graves and pimps and nuns and lawyers
And open squaws and opim and lungers.

You didn't know you came to make a city:

You danced by latern light and a calico moon,
You whisper-kissed the long forever words,
You planted lilacs, rhubarb, sweet alyssum;
You chanted Bethlehem by skift of snow,
You told of Cinderella to the small ones
Going to sleep thier first long all-night rain,
The willow leaves so lovely in the morning.

You braided daisies into golden hair,
You picked wild choke-cheeries,
You knew of ghosts.

You were courteous to the children of cannibals,
You hatched a loco mare in her traces,
You picked the bishop's bedbugs from the mattress,
You were patient with the wrinkled cream the thunder soured,
Patient with maggots, patient with all
The knotted idiosyncracies of hangmen.

You sang together and you read outloud,
Sparrows and churches came,
There was elegant dust
In the socket of the buggy whip on Sunday.